{"title":"New to the Shop!","description":null,"products":[{"product_id":"my-balls-are-killing-me-written-by-chris-robinson-illustrated-by-andreas-hykade-autographed","title":"My Balls Are Killing Me, written by Chris Robinson, Illustrated by Andreas Hykade (Autographed copy)","description":"\u003cp\u003eAuthor: Chris Robinson\u003c\/p\u003e\n\u003cp\u003eIllustrated by Andreas Hykade\u003c\/p\u003e\n\u003cp\u003ePublished: 2025\u003c\/p\u003e\n\u003cp\u003eDimensions: 5 x 8 inches \u003c\/p\u003e\n\u003cp\u003ePaperback\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis copy is autographed by writer Chris Robinson!\u003c\/p\u003e\n\u003cp\u003e**\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart cancer log, part love wreck, part pinball machine. When a hard little marble shows up where it shouldn’t, our narrator—reluctant adult and world-class avoider—gets launched into an arcade of scans, surgery, and sleepless 3 a.m. bargains. Then the strangest guide arrives: Athena, the wisecracking guardian angel his removed testicle becomes, who refuses to let him hide. “Keep the ball in play,” she says—and the flippers start flying.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHospitals morph into arenas; relationships tilt; denial runs out of tokens. Between chemo chairs, marital crosswinds, and surreal visitations, he learns to tell the messy truth—to doctors, to lovers, and finally to himself. Rude, tender, and weirdly uplifting, \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eMy Balls Are Killing Me\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a screwball survival story with a punk heart—\u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003erooted in the author’s own run-in with testicular cancer\u003c\/span\u003e\u003cspan\u003e and the aftershocks it sent through his body, marriage, and sense of self.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf you like memoirs that swerve from jet-black comedy to raw honesty, myth slipped under a hospital gown, and a finale that finds nerve when the nerves are shot, welcome to the game.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChris Robinson\u003c\/strong\u003e is a writer and author of \u003cem\u003eStole This from a Hockey Card: A Philosophy of Hockey, Doug Harvey, Identity and Booze, Estonian Animation: Between Genius and Utter Illiteracy, The Animation Pimp, Japanese Animation: Time Out of Mind, Earmarked for Collision: A Highly Biased Tour of Collage Animations\u003c\/em\u003e etc.\u003c\/p\u003e\n\u003cp\u003eHe is also the artistic director of the Ottawa International Animation Festival (OIAF) and has received the 2020 Award for Outstanding Contribution to Animation Studies by the World Festival of Animated Film - Animafest Zagreb.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMy Balls Are Killing Me\u003c\/em\u003e is based on his experience with testicular cancer. \u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAndreas Hykade\u003c\/strong\u003e is an animation filmmaker. Combining distinctive minimalist design with moments of lavishly detailed, psychedelic-inspired imagery, his work deals with childhood memories, identity, love, desire, death, and addiction. His award-winning films include \u003cem\u003eWe Lived in Grass, Ring of Fire, The Rung, Love \u0026amp; Theft, Nuggets\u003c\/em\u003e and \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAltötting\u003c\/em\u003e.\u003c\/p\u003e","brand":"Aniboutique","offers":[{"title":"Default Title","offer_id":45793006616659,"sku":null,"price":25.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/8723\/files\/Screenshot2026-07-07at12.55.55PM.png?v=1783443381"},{"product_id":"watch-me-jumpstart-strutting-and-stumbling-through-animation-written-by-chris-robinson","title":"Watch Me Jumpstart: Strutting and Stumbling Through Animation, written by Chris Robinson","description":"\u003cp\u003eAuthor: Chris Robinson\u003c\/p\u003e\n\u003cp\u003ePublished: 2027\u003c\/p\u003e\n\u003cp\u003ePrint length: 145 pages\u003c\/p\u003e\n\u003cp\u003ePaperback\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e**\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"product-text\"\u003e\u003cem\u003eWatch Me Jumpstart \u003c\/em\u003eis a love letter and a jab to the ribs--part memoir part field guide--from the Artistic Director who spent three decades peering behind the curtain of the Ottawa International Animation Festival. Chris Robinson has watched the medium mutate from spliced film cans and 3\/4-inch tapes to links and torrents of digital files; from a handful of global showcases to a crowded calendar of festivals; from outsider DIY voices to an industry that can smooth every rough edge--and sometimes sand away the soul. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"product-text\"\u003eWith his trademark dry bite and disarming honesty, Robinson traces the collisions that shaped his life in animation: the punky spirit that got him hired, the near-disasters that almost sank him, the programs that soared, and the friendships forged at 2 a.m. over cheap wine and weirder shorts. He doesn't romanticize the past or panic about the future; he simply records what it feels like to stand at the crossroads--again and again--while the art form reinvents itself (AI panic included) and argues for the stubborn, personal, beautifully impractical films that keep the medium alive. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"product-text\"\u003e\u003cem\u003eWatch Me Jumpstart\u003c\/em\u003e is for animators and students, for programmers and critics, and for anyone who ever fell for a film that didn't care about permission. It's a backstage pass to the decisions, arguments, and small miracles that turn thousands of submissions into a festival--and a reminder that animation isn't a genre or a market segment. It's a messy human conversation that never stops moving, even when the projector jams.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan class=\"product-text\"\u003eAbout the Author\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"product-text\"\u003eChris Robinson \u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"product-text\"\u003eis a Canadian writer and the Artistic Director of the Ottawa International Animation Festival (OIAF). A leading figure in the animation world, Robinson has received several prestigious honours, including the \u003cem\u003eAnimafest Zagreb Award for Outstanding Contribution to Animation Studios (2020)\u003c\/em\u003e and the \u003cem\u003ePrix Ren\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eé\u003c\/span\u003e-Jodoin\u003c\/em\u003e \u003cem\u003e(2022)\u003c\/em\u003e for his contributions to Canadian animation. 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His other animation books include Dream a way (of) Life, a book about the legendary collage filmaker, Lewis Klahr, and \u003cem\u003eRaw Outrage: The Films of Phil Mulloy. \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"product-text\"\u003eIn addition to his writing on animation, he also wrote the award-winning animated short, \u003cem\u003eLipsett Diaries (2010)\u003c\/em\u003e, directed by Theodore Ushev. 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